Sorry for the lateness on this one, but you'll understand why when you get through it...

Some of you may have clicked on this title thinking about the lovely interplay of energy and circumstance during a performance which provides both the performer and the audience a “rush” of sorts which could be considered a “high”, but no, this is about the other kind.

THE FOLLOWING POST IS FOR 21+ XXX RATED MATURE HUMANS ONLY.

You might ask, J.R., why would you perform in such a manner? Didn’t you, J.R., perform drunk one time during your hour-long one-man-show and completely bomb that shit? Yes, I would say, I did in fact I did bomb that shit, and why would I perform in an altered state again? Because it’s LEGAL for everybody in Cali now, baby. And “California knows how to party” as Roger Troutman may say. (I knew the lyric, but had to look him up, admittedly.)

I organized some buddies of mine to perform with me, B.A. and A.D., and this post is written hereby as a mini-guide partially for regular people, and partially for magicians, on how to perform high, what works and doesn’t work, and some short snippets of what happened.

Regular Things First:

Y'all, it was lit. Here are some things people said about the show:

*Clapping* - Everybody

*Coughing* - Most People

The format was exactly what it sounded like. You get high, we get high, we do magic, you see magic. It's amazing. I would show you a clip on here, but then that would ruin the mystique. If you're in the LA area, you should just come to the next one.

Favourite Moments:

Discovering the reality, hilarity, and problem of different tolerances in the same room.
Forgetting to start the timer for a set.
T.R. sharing a home-made item that was beyond normal.
The venue turning into a giant closed-system where water could almost evaporate and turn into rain in a never-ending cycle.

MAGICIAN STUFF

Step 1:

Don’t attempt hypnosis or any “mind” effects. It may seem tempting to you, but unless you find a way to completely work around the fact that people will be forgetting shit they did just five seconds ago just normally, (including you), then you don’t have shit to work with.

Step 2:

Make everything visual as possible. Dumb your set down as much as possible. This is probably the only place where magic with sponges makes any sort of sense (imo). You don’t have to test it out by being high while performing it first (but it probably helps if you have, see Rule #3), just make it real dumb and visual. You know that thing where the fidget spinner sticks to your finger? Yeah, that one would kill (note to self).

Step 3:

Stick to what you know. Stick to routines you can do in your sleep, because you’ll be pretty close to sleeping up there. And it’s only funny for the audience if you can pick yourself up where you left off. One of my favorite moments from my set was when I was in the middle of a very well known routine, forgot my place, and because there were a couple magicians in the crowd, they just yelled out whatever I should be doing next. I paused a moment, and then just did what they said, and it worked. A great moment of magical deconstruction. And being lit AF.

I think that’s pretty much it, but it reminds me of some rules we’ve been establishing within the Four Suits Magic Collective, and I think I might base a future blog post on those, because it’s entertaining, informative, and because I do what I want.

Thank you for coming --

More of these events coming in the future.

-- J.R.

P.S. -- House-keeping note, we’re implementing a RSS feed / blog reader system soon with the site revamp coming up for our ONE YEAR ANNIVERSARY. Did you get us a present? Thanks to those of you who wrote in telling us about this and waiting patiently for us to almost-never do it.

Performing High