So the other day I performed for this guy. If you don’t know him, Joel McHale is a comedian and actor, and somehow labelled with the “Observational Comedy” genre tag within the Comedy taxonomy on wikipedia.

True to the genre, he was very funny, very charming, and commented A LOT on what was happening around him. Now, you take that man and show him magic, and some funny things are bound to happen, such as what follows...

One moment that hit me right in the middle of the interaction is when I asked if he had a favorite number, to which his response was, “No, I’m not an idiot.” which was actually pretty damn accurate. And honestly, I’d been performing this particular routine (shoutout Robert Ramirez) for about a week at this point in time out in the world, and had this not been brought to my attention by Joel, I probably would’ve continued saying the same nonsensical phrase that I ran across while learning it.

No one has a favorite number.

Shit, while even some people may have a “lucky” number, it’s still all very silly to ask for either of those by name when in fact all you’re trying to show (as the magician) during this point of the magic effect is that different stuff can happen with different numbers, and it doesn’t have to be of the magician’s choosing. “What’s your favorite/lucky number?” is a completely arbitrary phrase that’s inserted in there, and by it’s nonsensical nature, it only has the chance to take people out of the effect, and disengage them from the situation.

To be a little more direct, I arrived at my currently used phrase -- probably to be updated in the future -- : “Go ahead and say any number besides Seven or Zero.” I’m coining this reduction/simplification of a piece of magic dialogue to be “Teller-izing” the effect, named after Teller’s own reasons of not including any verbal scripting within his effects. After hearing Teller talk about this idea a few times (yes, he talks outside of performance), I find his main argument to be like spreading out a deck of cards in front of someone while saying “Pick a card” is just redundant, because both the physical action and the verbal action are showing the exact same thing. Better to just spread the cards out and gesture, without saying a word. Or, leave the cards on the table, hand them to the participant, and ask them to pick a card themselves. But in both of those situations, there’s no redundancy, and there’s no silliness.

-- J.R.

You liked that title, didn't you?

In this "This American Life" podcast, Ira Glass and David Kestenbaum discuss some of the methodology behind effect creation, with a discussion of Penn & Teller's Red Ball effect, and David Copperfield's Statue of Liberty effect, during which a tale is told about David pulling off some dope ass silver-tongued social-engineering -- it's amazing. 

If you have an hour to spare, listen to this episode. If you don't have time to spare, you'll just have to imagine what happened.

-- J.R.

We were having a discussion regarding ______ ______ and its presence within the following acts of these three performers: Javi Benitez, Jeff McBride, and Shin Lim.

So we ask you, dear reader, magician or not, some of the questions we were asking each other (which will be discussed in a later post) -- What are some of the similarities you find within these three acts (whether it be in theme, presentation, etc.)? Is one type of framing/presentation more effective or engaging than the other? Do the specificity of the props change the end result (effect/story) of the performance for you? Could you imagine the magicians interchangeably performing the other’s magic equally, or do the performers themselves fit/belong to one type of prop, or magic, more than the other?

-- J.R.